GALLERY OF FILM STILLS FOR CHAPTERS 2 TO 4 OF FILM PAST, FILM FUTURE
March 2011
chapter 2: THE POTENCY OF SUSPENSE
2.1 Lord of the Rings: Gandalf faces the Balrog |
2.2 Lord of the Rings |
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2.3 Hitchcock's Saboteur: sequence of Fry's death |
2.4 |
2.5 |
2.6 |
2.7 |
2.8 |
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2.9 Survival strategy 1: Touching the Void |
2.10 Survival strategy 2: The Pianist |
2.11 Survival strategy 3: Un Condamne a mort s'est echappe/ A Man Escaped |
chapter 3: UNLEASHING THE IMAGINATION: HORROR, SEX, VIOLENCE
3.1 Sensuality in Malle's Les Amants |
3.2 Les Amants |
3.3 Les Amants |
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3.4 Paul admires Bardot's backside 'totally, tenderly, tragically' in Godard's Le Mepris |
3.5 Understatement in Dreyer's Gertud (camera: Henning Bendtsen) |
3.6a Rue Campagne Premiere, Paris: Michel Poiccard's last moments in Godard's A Bout de Souffle / Breathless |
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3.6b |
3.6c |
3.6d Rue Campagne Premiere in 1998 - in memoriam Michel Poiccard |
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3.7 Grandeur in Mann's Winchester '73 |
3.8 Lockhart is shot through the hand in Mann's The Man from Laramie |
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3.8 Excess tamed by speed in Hawks's Scarface (1932) |
3.9 |
3.10 Camonte's come-uppance in Scarface |
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3.11 Eastwood's Mystic River - Catholic criminals |
3.12 It rains on the American flag in Eastwood's Unforgiven |
chapter 4: LIGHTS CAMERA ACTION AND THE POOR BLOODY INFANTRY
4.1 Pabst's Westfront: the collapsing trench |
4.2 Westfront: the hand in the mud |
4.3 Westfront |
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| 4.4a-c The Soviet War and Peace - the battle of Borodino: the religious procession before battle; the Raevski redoubt; the end of the battle | ||
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4.6 Saving Private Ryan: 'blurred static' |
4.7 One of Robert Capa's water-level photos on D-Day |
| 4.10 Milestone's A Walk in the Sun: Windy composing letters in his head |
4.11 A Walk in the Sun: one of cameraman Russell Harlan's visual flourishes |
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| 4.13 A Walk in the Sun: waiting |
4.14 A Walk in the Sun: waiting and talking |
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| 4.15-17 In the landing craft: A Walk in the Sun . . . |
. . . Saving Private Ryan . . . |
. . . and Malick's The Thin Red Line |
| 4.18 Thin Red Line: waiting |
4.19 Thin Red Line: Witt dreaming |
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