I have a blog at cawkwell200.com - 6 July 2016 'The unmade film of In Parenthesis'
NEWEST (June 2016): Malcolm Le Grice's Little Dog for Roger (1968)
NEWER (April 2016): PETER GIDAL FLARE OUT
click here for MY BLOG [cawkwell200.com] on WordPress: latest four entries -
Sept 2014: INTERVIEW WITH DAVID CURTIS
BOOK (June 2014): THE NEW FILMGOER'S GUIDE TO GOD
click here for details from Troubador Press
click here for the book trailer.
You've reached the homepage for Tim Cawkwell (see About Me). This website is a platform for my writing on film, whether in the form of blog-type entries or of essays. I have published a number of books (e.g. co-editor of ‘World Encyclopaedia of Film’ 1972, 'Film Past Film Future’ 2011, 'The New Filmgoer's Guide to God' 2014) and have launched (February 2013) my own imprint, Sforzinda Books, as a vehicle for these and other of my own books to be available in digital form. For more details go to the 'My Books' page.
There are four main sections to the site:
1 'Essays, ideas' consist of pages on individual films or film-makers or just a filmic idea that has caught my attention. This section has largely been succeeded by my blog.
2 I admire many film-makers but have a particular fascination for the films of Robert Bresson.
3 I responded very strongly to the arrival of the American underground films in the UK in the late 1960s, which spurred me to become a film-maker myself. Should we call this cinema experimental, underground, artists' films? I have no strong view, but have settled on avant-garde.
When I stopped making films, I took up the different art of photography: see my Photo Gallery
My 'camera and pen' emblem needs explaining. The phrase ‘caméra-stylo’ was coined in 1948 by the French director Alexandre Astruc to describe a cinema which was ‘just as flexible and subtle as written language’. Thirty years later I liked to use the phrase to describe the technique I used in my film-making days of drawing directly on the film strip using a calligraphic pen (long ago it would have been a goose feather cut to make a quill). Now, nearly 70 years on from 1948 I like it as a way of describing the art of writing about the cinema, and created this emblem to visualise the idea.
with thanks to Alan Berry and apologies to Rembrandt
My new book (March 2016), 'CRICKET’S PURE PLEASURE: The story of an extraordinary match, Middlesex v. Yorkshire, September 2016' takes the reader through the highs and lows, the quick movements and slow movements, the loud and the soft of cricket played over four days. Where words fall short of conveying the splendour of the whole, the photographs take up the challenge, so that the book as a whole aims to give some insight into the pure pleasure, free of blemish of any kind, that cricket can provide.
For more details go to: